Dear friends, writers and students,
Firstly… The Artist’s Studio is booking through Norfolk Cottages and Airbnb. Just pop in The Artist’s Studio. Norfolk Cottages property reference is 2273. Or follow this link https://www.norfolkcottages.co.uk/search?areaid=88&locationid=1459&nights=7&plusminus=1&attribute428=false&orderBy=sleeps_asc:priority_asc
 
If you are in the mood for something new? To kick start your creativity or take action towards your dreams, then I have several tantalising events in the offing.
 
Anyone that knows me, will appreciate my fascination with ‘stuff’. Be it tangible chattels, rubbish, sentimental objects of inheritance, or memorabilia, to be working with The Art of Waste the Groundwork Gallery is a real treat for me.
 
LIFE, DEBRIS AND OTHER STORIES – a one day workshop Tuesday June 6th 10-4pm
Inspired by The Art of Waste at the Groundwork Gallery, after an introduction, participants will gather together words, phrases and themes for writing. Later, investigating the contradictions surrounding our relationships with ‘stuff’, through short writing exercises we will explore our past, present and future relationship with objects. Beginning with the playthings of early development  – sticks, mud, stones, paper, food – to the relentless over-acquisition and waste that home, work and family inevitably generate. Later exploring the creative possibilities for positive environmental change, through small steps, for a longer work of fiction. 
Groundwork Gallery, Kings Lynn PE
Follow the link below for further information & the booking link.
https://www.groundworkgallery.com/events/life-debris-and-other-stories/
 
The Holt Festival A creative writing workshop linked to the exhibition featuring German Expressionism. On Wednesday 26th July. https://lovenorfolk.co.uk/events/holt-arts-festival/Booking and further information to follow.
 
Turning the Page – a Saturday workshop in Norwich designed to galvanise you into action. (Date and venue to be confirmed).
Since the Covid years I have noticed the urge for life-shifts, yet creative enthusiasm or taking a leap of faith are sometimes halted by paralysis and over-analysis. What seemed like a brilliant creative idea, career change, or business opportunity, gets bogged down by fear, indecision, lack of detail, funding, or a realistic timed plan of action. This one-day workshop featuring guest speakers will help you dig deep to transfer your specialism or talent, push through the blocks and forge a constructive plan, with clear bench-marks and timed actions to get you started. Turning the Page is for anyone seeking new possibilities, be they creative, career altering, starting a business, learning a new skill, or planning a new life elsewhere.
Expressions of Interest: please email Patricia with your name, contact details, your current role and the change you are seeking at mullinpatricia@gmail.com
​

Firstly, The Artist's Studio, my gorgeous Scandi inspired retreat, situated in the grounds of Meadow Cottage, is now available to book through Norfolk Cottages. Designed with tranquillity and simplicity in mind, it is the perfect spot to unwind, write, read and become inspired by the Norfolk countryside and coast.

https://www.norfolkcottages.co.uk/searchareaid=88&locationid=1459&nights=7&plusminus=1&attribute428=false&orderBy=sleeps_asc:priority_asc

Property reference 2273

Courses and workshops in 2023.

Workshop: Turning the Page - new for 2023, this one day workshop will be held in Norwich. It aims to attract writers and creatives also those in other professions (such as health and care services) who having weathered the arduous Covid years, wish to explore other possibilities, adapting skills, retraining or perhaps starting their own business, but need guidance to begin.

In these two workshops you will have the opportunity to examine where you are, where you want to be and how to get there. It is a space to explore other possibilities, share ideas and devise a specific targeted plan for implementing life altering and life enhancing opportunities.

I keep a spreadsheet of all my short story entries. I have noticed in the years where I have entered more competitions I have won or been placed in more and successfully made it into the all-important anthologies. Upwards of 20 entries seems to be what you need for success. 

​Despite being autumn, a time when one tends to hibernate, it is a time when I return to my writing and course planning with renewed enthusiasm. The pleasant distractions of summer disappear, the garden is put to bed for winter and a quieter period ensues, one where I can think without interruption and plan. I've been checking my competition spreadsheet and deciding what to enter and where. I research the judge, usually a well-known author, I also read any of the previous winners’ stories that are sometimes posted online. If the competition has an anthology I will get hold of a back copy and read the winners stories, also I may put in two or three quite different stories because, I conclude, the judge or judges will want variety in the anthology. If it is for a literary magazine I get hold of a copy. Cost is an issue, competitions fees have increased in recent years and so I am more selective and, like everyone I know, I have cut back in the light of current fiscal conditions. The great thing about entering competitions is that it is a focus, something to aim for, in terms of length, content, style and deadlines. Stories that don't make it one year, are re-edited, re-written or left to lie fallow for a period while I consider a new approach, and most important of all your writing will be read. 

I am delighted to have been invited to run a one day creative writing workshop for the Holt Festival inspired by the Craxton - Picasso Exhibition on Wednesday 27th July 2022 10am-4pm. For booking: £65.00 (limited to ten places) https://www.holtfestival.org/fine-art-events/​
To book please email arttalks@holtfestival.org
www.holtfestival.org #craxtonpicasso #creativewriting #artmeetsliterature #patriciamullin #holtfestival

Craxton-Picasso

In addition to a very strong visual content the Craxton-Picasso exhibition has an intriguing literary element too - involving Paddy Leigh Fermor and Horizon magazine

Workshop
Begins with a tour of the Craxton-Picasso exhibition and brief talk by curator James Glennie, after questions and coffee Patricia will lead some short exercises and discussion to get the creative juices flowing. After lunch there will the opportunity to write and craft stories, applying the ideas and techniques discussed during the morning session, along with more discussion and sharing of stories.

 A previous students writes...
I thought it was very well designed, and richly layered course. The structure was really helpful, and the teaching style was warm, supportive and very informative. There was  a nice balance between encouragement and challenge, and we were all accommodated. Every session was lively, stimulating and very enjoyable, inspiring us to go off and try things on our own.
MR
​
John Craxton (1922-2009) the subject of this year’s festival exhibition Craxton-Picasso, was championed from the age of 19 as one of the great hopes of modern painting in Britain. 
He and Lucian Freud worked in adjoining London studios for much of the war, when Craxton was mentored by Graham Sutherland and John Piper.
Craxton escaped in 1946 to Greece, where he found creative inspiration for the rest of his life. The dark, melancholic images of the war years – with haunted solitary figures emblematic portraits of the artist himself – vanished as he became absorbed in the light, life and landscapes of the Aegean.
A consummate portraitist of cats, goats and people – a lover of food, wine and music in good company – John Craxton painted pleasure and lived it.

I am delighted to have been chosen as a finalist in The London Independent Short Story Prize, for my Flash Fiction piece Fact Sheet 5. It’s a lovely introduction to autumn, which is a time of year that always excites me in a back-to-school way. With summer over and guests departing, it marks a period of workshop teaching and novel editing, which I relish.

Workshops: The Writing Career Leap. Two workshops (10am-4pm) September 14th and October 12th at Anteros Arts Centre in Norwich. The first focuses on short fiction and its value in career building through competition entry as a path to publication. The second will focus developing participants own varied stable of short pieces and targeted competition entry. Both can be taken separately or together. Patricia states ‘These are the workshops I wish had existed when I was starting out as a writer.’

There are currently two places left on each workshop.
​
Booking details: places are reserved by payment on a first come first booked basis.
Fees: £85 per workshop or £160 for both. Payment by online banking or cheque.
Please email Patricia to book and for payment details. mullinpatricia@gmail.com
Website: www.patriciamullin.com

Recently I responded to a post from NUA (Norwich University of the Arts) about life drawing resuming in the Munnings studio. NUA is where I studied for my Writing the Visual MA for two years, investigating visual art, creative writing, and critical culture.
The resumption of drawing in an art institution might not surprise you, indeed you may expect it, but until recently it was controversial. Drawing had been out of favour for some time and this discipline was seen as outdated and wholly unnecessary for a career in art and design. It got quite heated, the notion that a life model drawing class might be found in the building was often dismissed and derided. I am delighted to see that it has returned, because what always bothered me was how students would learn to look and to see? Because whatever discipline you develop the first key skill an artist requires is visual.

Drawing at Colchester School of Art, where I began my creative career with an art foundation course, was taken seriously. I was taught by some of the best the Art Foundation was then two years, and we moved between disciplines, from sculpture and painting, to pottery, textiles, graphics, jewellery, and industrial design. Central to all of this was our instruction in looking and seeing, through drawing. Life classes were two evenings a week and outdoor drawing one morning a week. I feel privileged to have been taught by some exceptional tutors (Richard Bawden, Phillip Ardizonne, Brian Knight, and Richard Godfrey.) Life and outdoor drawing were considered essential disciplines with a lot of time devoted to them. I am fortunate in having been taught to draw, but also how to look and how to see. Drawing itself is a fascinating gestural, visual, and interpretive process that combines, body, brain, eye, and aesthetic. 
​                                         
That close observation and critical questioning has remained in my practice as a writer. Trained to apply intense visual scrutiny to my subject it has encouraged me to become a visual and psychological archaeologist, to look behind the obvious closely observing the structure and the veiled, the unsaid and the unwittingly disclosed. Writing requires all the senses, hearing is important, patterns and rhythms of speech also matter, it is the complexity of writing that fascinates and intrigues me, and it is the visual that is my starting point.​ 

Here in rural north Norfolk the fields have lots of bouncing, biffing, bonkers hares in them, wonderful creatures that chase around and beat each other up in a mock fight reminiscent of the one between Colin Firth and Hugh Grant in Bridget Jones Diary, a lot of flailing and not much real damage. 

I caught an interesting BBC Radio 4 item called Shock Waves (you can get it online). It is about how artists and writers respond to something as shocking as the pandemic. Interesting to me, because I have found that, while I have had thoughts and ideas where the pandemic features, I have not yet felt ready to form them into a narrative. It seems I am not alone; it's going to take time to process. It also features an author who was well into her pandemic novel when the real one hit and found she had to abandon it. I love hearing creatives talk about process. It also concluded that another reason is that creatives, generally freelance and fiscally abandoned by the Chancellor have been in survival mode and that, dear reader, is stressful, exhausting, and time consuming.

As concentration is apt to be shot to pieces in these Covid times, apart from decluttering your attic, you might like to dip into some short fiction (as you know I am a huge reader of and writer of short stories). So here are some recommendations, 2 short and 2 memoirs. 

'Some Days Are Better Than Ours.' by Barbara Byar. Published by Reflex Press.
'Salt Slow' by Julia Armfield. Published by Picador.
'Notes to Self.' by Emilie Pine. Published by Penguin. Memoir/essays with high praise from just about everyone/everywhere including Anne Enright and Book of the Year 2018 Irish Book Awards.
'I Am I Am I Am.' By (one of my favourite authors) Maggie O'Farrell. Published by Tinder Press.

You may not recognise The Reflex Press, this is because they are a small indie publisher and doubtless have a website and online shop, please drop your Amazon habit for a moment and buy direct, it makes a huge difference to the publishers and to writers if you purchase either directly from them or from a small independent bookstore like The Book Hive in Norwich who will post them to you. Similarly, Salt Publishers from Cromer Norfolk, have a great website, wonderful writers, and post books promptly.

Blimy it's already February! I used to consider February the longest and cruelest month, despite its being only 28 or 29 days. In recent years I have softened as I've discovered it isn't always grey on grey with a sulking sky just hovering above my head, no, sometimes it can come through with a few days of sunshine that give the promise of spring just waiting to get the go-ahead. Yesterday I managed to complete and submit my end of year accounts to the Inland Revenue and to spruce up my system of recording income and expenses, meaning I can get ahead of myself and get 2020-2021 completed for April 5th (that'll be a first.)  It is, of course a bi-product of the Covid lockdowns because, like most freelancers, there is precious little income to show for the last trading year, although most fixed bills have to be paid despite the lack of business.

For me the lockdowns have been really busy, teaching on Zoom, mentoring and planning a way out of this mess. I lost all my data in a computer incident which left me truamatised. I have taken the opportunity to re-organize my computer files and I am trying to get on top of the endless paperwork that somehow infiltrates several rooms in the cottage. Part of the trouble is because I cut out numerous, reviews and snippets from newspapers, magazines and journals, along with items I think would/should interest my children and there are ideas written down in whatever notepad, envelope or folder that comes to hand. Then there is other peoples stuff. Grown up offspring living in tiny flats or rooms don't have room for their stuff. More sadly, there are the deceased whose own collections of files and papers now fill my study.

​I am also filling in countless literature based applications to progress my career in one way or another and they hungrily eat my time, each one requires the same information but in a wildly differing format, so they are really tricky. I am though walking more frequently, because it's pretty much all we're allowed to do and walking is great for writers, ideas come when you walk. I've already thought about re-writing a short story that could be longer or a novella. I have a few more admin tasks to complete and then it's down to writing again, the thing I love the most and which helps me forget about glum, grey February. I am also eagerly looking forward to the time when we are allowed out to play again! The meadow will come into its own for big social picnics and pot luck suppers with bunting and lanterns.

I have a reading recommendation. As you know I love short fiction, which is perfect for a time when a lot of you are struggling with concentration and memory issues. Short stories are the perfect read for these odd Covid times.  I have just read 'Dinosaurs on Other Planets' by Danielle McLaughlin, published by John Murray. I often purchase short fiction I see well reviewed and this collection has rightly garnered much praise. If you want to revel in beautifully constructed sentences and a bit of lock-down vocabulary stretching this collection is for you. Below are a couple of examples.

'Maddened, the blue bottles looped like spitfires.'
'...the ditch that separated their property from the farm next door brittle-grassed and silver.' 

I am delighted to have been a winner in the West Sussex Mind short story competition chose by the  judge and author Rosanna Ley. Coming on top of my earlier shortlisting in the 2020 Bridport Prize, this is a great boost in a glum year.

 This is the last chance to see this amazing and inspiring exhibition which closes at 4pm on Dec 5th - do go. Scroll down for the poster with details.

I am delighted to announce that I have been shortlisted in the 2020 Bridport Prize short story competition by the judge Nell Leyshon. This is the third time that I have been shortlisted for this prestigious award and coming in the top 100 short stories in an international prize with over 4,400 entries ( the top 2% or so I'm told) is a real boost. 

There are very few spaces left on my forthcoming workshop at the Groundwork Gallery, Kings Lynn  www.groundwork.com
This is a fabulous exhibition, really inspiring and we will spend the day working from close observation and leaning how to craft a multi-layered fiction.
see the flyer below for more information and go to their website for booking.

It's National Poetry Day and here is a link to the wonderful Cafe Writers competition  
http://www.cafewriters.co.uk/wp-content/uploads/2020/08/Cafe-Writers-Competition-2020.pdf
​

​The frustrations of the Covid pandemic conditions have necessitated a change in my working practice, particularly teaching. As the lock-down began I sent out an invitation to my database, a call to creativity. We are social beings and isolation is difficult; although, as a writer, I am used to being alone and anyway, when you write you are in the company of your characters, which is a good place to be. For those living alone, solitary confinement and fear of this frightening virus was hard to deal with, the financial toll was also a massive aftershock. For the creative industries this has been a tumultuous time, in many cases  income ceased overnight and around 3 million creatives fell through the cracks of government support.  
 
My course, Online Corona Creative, filled a gap in those first ten weeks of lock-down and it forced me to embrace Zoom and learn on the job about the technical issues related to running courses online with participants in their homes. I learnt when the students are not in the same room I no longer had the teacherly authority that I do when teaching face to face. I also learnt that body language cannot be read on screen and methods to make sure everyone has an equal speaking opportunities had to be instituted. I found that eleven participants is too many (smaller groups are the answer) and that some people struggle with this way of working, while others have by necessity embraced it and found it a social and educational lifeline. I have also been a student myself on Zoom with the Society of Authors. In October I will be again, by taking part in an online writing retreat hosted by the author Jill Dawson. As one would expect, creatives have been remarkably adept at find new and inventive ways of adapting to this 'new normal' and presenting their work in new ways and seeking out new audiences.
 
As a teacher, this time of year always gives me that back to school sensation, it is the beginning of the academic year and, like New Year, it is a time for reflection and renewal. I have long wanted to make some video content about my artistic and literary practice and Covid has given me the push I needed, and with an Arts Council grant to buy technical equipment I am taking that leap, scary? yes a bit, but positive too; it’s exciting to find a new method of reaching out to fellow practitioners and students. Creative Progression, my online course for creatives of any discipline has begun, but there will be  another opportunity for a face to face course at Anteros, Norwich, when Covid restrictions lift hopefully next spring. More online courses are in the pipeline, one to one mentoring continues on Zoom if you would like to book please get in touch www.mullinpatricia.com 

Have a safe, happy and creative autumn.

It is with immense sadness that I  have to inform you that Graham passed away on Friday 17th April at Priscilla Bacon Lodge, Norwich. Graham was one of the first Cathedral writing students who went on to lead Ex-Cathedra writing group for many years. He headed the student committee in charge of the anthology Voicing Visions and was the M,C. at its launch. Apart from his many talents and attributes Graham was all round lovely man and I know that many of the student cohort will greatly mourn his passing as I do. Patricia 20.04.2020