There is an interesting interview in the Sunday Times Culture magazine by Nick Curtis with Grayson Perry, prompted by his investigation into AI: “Grayson Perry Has Seen the Future” (Channel 4).

Grayson is an able/intelligent investigator, and in this documentary, he goes about Silicon Valley looking at our no-longer-futuristic dystopic reality. What struck me seeing the unstoppable speed of AI’s scarier elements, is that it is largely in the hands of human men. And not a variety of men: it is men who are wealthy, privileged and technically way ahead of the rest of us, but also men who are frequently on the spectrum, which Grayson also noted. Then seeing the Robots Vs Human Marathon in China, I realised that concerns about AI are too late, this technology has already been created and is being further developed by this unrepresentative human cohort.

Here’s a scary bit: recruiting agencies are asking humans to train AI. Below is one of the plethora of opportunities being offered to me daily on LinkedIn.

‘…connects skilled professionals with opportunities across leading AI training platforms and high-growth companies. As global demand for human input in AI development continues to grow, many platforms rely on large networks of capable contributors…’

Recently, LinkedIn has been flooding me with these well-paid, remote-working job opportunities for an author, teacher, artist or illustrator. All of them want to employ me to train AI to write, teach, and create art as the human Patricia does. Reader, I have not applied. They are also looking for voice trainers for AI, that’s voiceover specialists, often these are actors between work. It doesn’t take me to point out that taking on this A.I. training work is the equivalent of building your own coffin and then climbing inside.

AI’s noblest impact will be scientific/medical; as for the rest…reasons to be fearful? 

 
Welcome to British summertime…at last…the weather/temperature just needs to get the memo. During these dark winter months, I have been at the Art-face, producing colourful art that is now bursting forth in various Norfolk venues including galleries, Wighton26, and North Norfolk open studios.
 
I will be leading a taster session on Memoir writing at Reef Make and Do on June 18th 2026.  Which may lead to a regular course. Booking: https://reefmakeanddo  Tel: 0781 796 8011 These are very popular courses so early booking is advised.
 
Showing now:-

Allen Hall Gallery. The Barns. Glandford. Holt. Norfolk. NR25 7JP. 07900 784237
Easter Saturday 4th April – Meet the Artist’s. 1pm-4pm. An opportunity to meet Patricia Mullin and Stuart Green who will be in the gallery. Come and join us for arty chat and find out more about our practice and inspirations.
 
Showing now:-

Walsingham Barns, Gallery & Framing. Great Walsingham Barns. Hindringham Road. Great Walsingham. Norfolk. NR22 6DR. 01328 820900
Four exquisite little gouache paintings – The Milliner’s Vase; When the Boat Goes Out; The Ornithologist’s Vase; In the Heat of the Day.

Dates for your diary:-
 
North Norfolk Open Studios:- From Saturday May 23rd  to Sunday 7th June.
https://www.northnorfolkstudios.co.uk/artists-and-makers-pages/patricia-mullin
I am artist 63. Trail 06 Fakenham 10-5pm (click on the website link above for my opening dates/times.)
 
Wighton26 ‘Undercurrent’ July 1st to Aug 3rd  I am delighted to have been selected for this this prestigious exhibition. Click on the link below for more information.
https://nnepcontemporaryart.com/ 

Wishing you all a creative summer,

Patricia.
 
[email protected]   www.patriciamullin.com   www.patriciamullinart.com   
Holiday let booking   www.theartistsstudio.com  www.norfolkcoastalretreats.co.uk
Instagram          @patriciamullinartist1560         @theartistsstudio

​

The  title for the North Norfolk Art Project Wighton 26 exhibition has really set my creative mind racing. I am delighted to have been selected and I am really looking forward to the research and development of my coastal based artwork. 
For more information please go to https://nnepcontemporaryart.com

Dreaming of the Moon

 https://patriciamullinart.com/  

I'm delighted to introduce my new online adventure. Follow the link above and step inside my lovely online shop where can order prints, or purchase an original artwork. These prints are top quality on archival 300gsm papers and are coloured matched by scanning my original artwork, and their exceptional quality means they can be enjoyed for many years. Prints are delivered promptly from the wonderful Saxon printers in Norwich via DHL and will make a delightful gift for Christmas or birthdays.  

Dear friends, writers, and students,
 
Slightly later than planned, my October blog, except it isn’t a blog, as I have been frantically busy scooting about all over the place. I have been mentoring, writing, illustrating, planning my new (soon to be launched) art and prints website, attending meetings on various interesting topics, with creatives & business people, while also tending to a last-minute and welcome flurry of autumn bookings at The Artist’s Studio. It's bird season here at the various RSPB locations on the North and West Norfolk coast, just a short drive from The Artist’s Studio, it is also very close to the Hawk and Owl Trust and Pensthorpe Natural Park with its birdlife/wildlife and stunning Piet Oudolf garden.
 
Just to remind you how to reach me for art or writing/mentoring, or booking The Artist's studio via links.
                             
@patriciamullinartist1560
[email protected]
www.patriciamullin.com
 
www.airbnb.co.uk/users/show/103113008
www.norfolkcoastalretreats.co.uk
[email protected]
 
Invite to Jan Crombie’s Open Studio 2025

Wisdom is Learnt, 2025, oil on canvas, 100 x 90 cms
Open Studio  
Studio 46, 2nd Floor, Lion House, Muspole Street Norwich, NR3 1DJ some parking available, 15 minute walk from the train station, nearest bus stop Anglia Square
 
Thursday October 2nd:     pv 5-7pm
Friday October 3rd:    appointment only 
Saturday October 4th;             2-5pm
 
Refreshments will be served
 
After more than two years of self-imposed isolation, (including a residency in Athens) I’m looking forward to sharing a new body of work with you.
 
The work, distinctive and dreamlike, combines an allegorical mingling of
autobiographical, art historical and fictional elements that draw attention
to social and existential issues and conflicts. The surrealist landscapes high-
light the human condition, reflecting a search for individual identity that
often needs to be renegotiated, in a world that is constantly shifting in the
face of huge global problems, changing societal values, and scientific developments.
 
rsvp to [email protected]
www.jancrombie.com    @crombiejan

​ 
Dear friends, writers, and students,
 
Welcome to September, which can be a lovely softening month. Over the years I have noticed a weather pattern in Norfolk, the schools go back and the sun comes out for one last hurrah, often lasting days, yet the Swifts left early this year, so their magnetic intelligence must had told them the reason. To me, their leaving marks the end of summer, although I still hope for some sunny days.
 
September is also a month for setting my intentions, autumn offers a slice of solitude after a summer of visitors, with the added bonus of a new academic year, and autumn foliage marks the landscape in various hues.
The intentions I am setting are various, they will involve re-editing a novel, creating some fresh short stories and flash fiction (as my stock has, successfully, run low), mentoring a writer, and designing my new online art shop selling my prints.
 
I am delighted that The Artist’s Studio now has 30 Airbnb  5* reviews since joining Norfolk Coastal Retreats agency. A big thank you to Alex who has been a wonderful supportive agent.
 
https://www.norfolkcoastalretreats.co.uk/contact
insta     @theartistsstudio
www.airbnb.co.uk/users/show/103113008
 
I wish you all a creative autumn.
 
Patricia.
 
Looking for an Editor
 
A former student of mine, Molly Barrett, whom some of you will remember from SCVA and other writing courses, is a talented writer and designer.  She is seeking an editor for her short, serialised, historical fiction, set in the Regency Period 1816 in the year without a summer, when snow lay on the ground all over the country on June 6th.  Which Molly describes as:-  ‘A character led, magically, fantastical history.’ 
 
Her plan, which I consider to be inspired and achievable, is to compile it as  short audio book read by an actor and sold online on Spotify (purchased by episode). Although Molly has limited resources, this is a paid opportunity for an editor with historical knowledge; Molly has almost completed her manuscript.
 
Please email me with your details, and I will put you both in touch.

   
Dear friends, writers, artists, and students,

Here comes summer...so it might seem eccentric to be running a writing workshop in a shop full of yarn, but believe me, there is fabulous inspiration to be found in the colours and textures, the brilliant names, and this period emporium is a treasury of times past when shopping was a joy. I was struck by the abundance of colour and textures and the glorious names of the skeins and hanks: ‘Spicy Pippin’ ‘Yeovil Sour’ ‘Midnight Glade’, and ‘Pepple Brook.’  The latter two could be a meeting place for an assignation.

I am delighted to invite you to join me at my new one-day short-story writing workshop on:
Friday, July 4th, 10 am -4 pm.
at Venetia’s Yarn shop, 16 Norwich Street, Fakenham. NR21 9AE.

This one-day workshop is suitable for beginners and more experienced writers. After an introduction from Venetia, you will gather inspiration from the yarns, learn about character setting, and all the techniques required to create a satisfying story. In short, you will knit together a story forming the pattern for future writing. Please excuse my knitting analogies, and remember you don't have to be a knitter to write a great short story!

Securing your place is by booking and paying a fee of £65.00.
​
For payment details email:                                                          [email protected]
If you have any questions, please email or telephone me on:     01485 578153
 
Please contact Patricia, not the shop, regarding the workshop.

Here at Meadow Cottage, we have wall-to-wall sunshine forecast for this week with temperatures rising to the mid-20s we have summer in May!,  So this is the perfect week to book a tranquil break at The Artist’s Studio
https://www.norfolkcoastalretreats.co.uk/contact

My exhibition at the wonderful Walsingham Barns Gallery continues until May 30th, so if you haven’t yet visited do go, it is lovely spacious venue and there is a café next door with exceptional cake!
Opening hours 10am – 4.30pm Tues - Sun
Tel: 01328 820900
https://www.walsinghamgalleryandframing.co.uk/
​
Mentoring:
'Meetings with Patricia have helped me focus, prioritise, manage time, and stay on track. Patricia has been an affirming presence throughout, she is also a mine of information, be it art or literature, and a very skilled writing tutor/facilitator. This has felt like a collaborative journey, and these sessions have been immensely helpful.' M.R.

​https://www.patriciamullin.com/mentoring-and-literary-services.html
​

I was reading an online post by a writer who believed she was suffering from writer's block. It was not that she was stuck in the middle of a novel (a common issue) more that she had no inspiration, or inclination to write, and she was feeling quite desperate.

If this happens to a writer my advice is to reframe it as lying fallow. Fallow periods allow the land to rest and replenish. Perhaps this writer's creative soul needs to do likewise. The issue here is not ‘writer’s block’ it is that panic has engulfed her and she is frozen, petrified that she will never again resume writing.

To return to the land analogy, left alone the soil rests during this placid period, nourished by dung, rain, and sunshine it prepares itself for fertility and seeding. Later with sunshine shoots will peak above the soil. 

Looked, at this way, it is not a block, rather it is a creative respite. In my experience, our creative field doesn’t become completely barren, even on wastelands windblown seeds flourish. So, permit your creative self a fallow period, relax, and wait for spring.

When you look up the synonyms for resilience, you get these, in this order.

Strength
Resistance
Flexibility
Pliability
Hardiness

Instantly the one that I identified with was hardiness.

My hardiness took time to develop, it did so through failure, and I am thankful for it. I improved my craft; by reading well-reviewed short story collections. A number are published by independent publishers, and if you're writing contemporary fiction you must read contemporary fiction. The publisher SALT introduces wonderful authors, they also print the Best British Short Stories (Series Editor Nicholas Royle) each year, which has around twenty stories of superb quality and variety.

I have been keeping a spreadsheet of my short story entries since 2015 when I entered 13 short story competitions and 2 short stories were selected for publication. In 2023 I entered the biggest number 27 and I had success in 4 competitions. Rejection used to hurt, but it doesn’t anymore, I simply revise the story and send it out on its way again, because a different judge may love it.

In 2024 the judge Sarah Hall longlisted a story of mine in the Fish Prize, I was delighted with that as I know her work and have heard her read at The Book Hive, a wonderful independent book shop in Norwich (do visit). Also in 2024, the same story was longlisted in another competition. So, it will have another outing this year. If you have been long or shortlisted see if you can improve the story, I revise virtually all my stories, there are many drafts.

Listed here are a few collections I have enjoyed and learned from.

Fen by Daisy Johnson
Some Days Are Better Than Ours by Barbara Byar
The Maples Stories by John Updike
Broken Things by Padrika Tarrant
Salt Slow by Julia Armfield
The Pier Falls by Mark Haddon
Seven Tales of Sex and Death by Patrica Duncker
Some New Ambush by Carys Davies
The New York Trilogy by Paul Auster
 
I leave you with a comment made to me by Patricia Duncker.
 ‘Take more risks with your writing.’  

I will be running another short story one-day workshop shortly, do email me with expressions of interest as they fill up quickly. [email protected]
​

,
Occasionally writers or friends offer suggestions about writing competitions I might like to enter. These are welcome and kindly meant, but sometimes they surprise me because they have incorrectly assumed my writing genre, which can be amusing.
Genre for authors is a tricky subject; because your agent (if you have one) will want a bestseller and a bestseller is usually the genre at the top of the Sunday Times list. Today (Sunday 11th Nov 24)  it is Lee and Andrew Child ‘In Too Deep’ which has just toppled Richard Osman’s ‘We Solve Murders.’ Of the 10 hardback books listed, 8 are crime/thrillers/who done it? The paperback chart has a little more variety; but is skewed by novels with Christmas or Pumpkin in the title (tis the season etc.)

It's easier to state what you won’t find in my work.
No Cowboys.
No Horror.
No terror.
No fluffy Romance.
No one in a corset.
No battle scenes.
No grim countless slayings of young women.
No recovering alcoholic crime detectives with a murky past. (Although sometimes I’m tempted.)
No women in negligees (unless it’s the nineteen fifties.)

So, what do I write?  I write drama.

​
Enigmatic and socially aware psychological mysteries. I often begin with an image such as a family portrait, a rare stamp, or obsessions (heavy hemp rope, hair, or menacing origami, ditto menacing dress alterations).  All these have featured in my prize-winning and published fiction. I write about the past as it informs the present, often a dark past incident, and occasionally, a dystopic future.

I employ the following:-

Atmosphere, surroundings, deceit, outright lies, the misremembered, the misheard, the unwittingly disclosed, along with humour, psychological angst, love, care, and disdain.

And my elevator pitch...?

That is and will remain a well-kept secret.

I was trying to recall the first biography that I read and what came to mind was Jeanette Winterson’s ‘Oranges are Not the Only Fruit (1985)  although it was billed as a novel it was immediately evident that it was a highly autobiographical novel, and it was controversial. Later I read ‘Bad Blood’ by Lorna Sage, described as ‘ A small masterpiece’ by Blake Morrison, and ‘…encapsulates the experience of a generation.’ By Kathryn Huges. And in 2002 ‘Slipstream - A Memoir’ by Elizabeth Jane Howard, by this time an author of numerous novels including the ‘Cazalet Chronicles’, also stepmother to Martin Amis, who credited her as ‘ …a profound influence.’  What I noticed was that aspects of my own childhood and adult life were sometimes mirrored in the incidents described. I ignored the Christmas fodder of mainly ghost written ‘celebrity’ tomes and those that began with ‘I was born in …’

It is interesting to consider why one would write something revealing and perhaps painful. In the preface to ‘Slipstream’ Howard states; ‘I write to find things out, as much as, and sometimes more than, to tell them to other people. In a way, an autobiography seems to me like a household book of accounts – what has been acquired, to what purpose has it been put, was too much paid for it and did it teach you anything?...'

I think another strong motivation for chronicling the past is that one has lived through ‘interesting’ times. This certainly applies to my life which differed markedly from my mother’s and my many aunts and older cousins. The other prompt is that I have always written journals written from leaving home at sixteen – a sudden switch from Covent School to Art School. In what was a markedly fluid era, I mixed with a smorgasbord of people. Previously one was expected to mix and marry one’s own ‘sort’ for which read class and race. There was a freedom new to young people, in clothes, culture, food and sex - everything had altered.

Biography/memoir has recently transformed. Slim volumes of life changing incidents that do not run on chronologically from birth and contain incidents that shock, frighten, sadden and elate. These are not misery memoirs; they are an exploration of a life by pointing a camera lens and inviting the reader to look closely and see patterns that have built this person, through these key incidents.
​
If you are interested in my 21st October 2024  Memoir workshop please find the details on booking on the Home page of this website.

​There have been a number of times in my creative life when synchronicity has been magically evident. Recently I watched the artist Margo (www.margoinmargate.com and www.helmgallery.com sorry wouldn't link) interviewed on television, she was having her first one-woman show, and she walked into the gallery and declared ‘Oh my goodness…it’s so colourful!’ Like me, she had never before seen all her artwork in one place. Her experience up until then was, a piece or two hung in a joint show. I never had a studio large enough to have paintings lined up around the wall, I inhabited small spaces and work was either sold, hidden in my plan chest or stacked behind furniture. That is until I decided to photograph them to make an art Instagram account @patriciamullinartist1560  When I saw my work there, I too was taken aback – I really had no idea that my body of work was so bright, bold, and impactful.

I worked as a textile designer, and when you spend every day working on exquisite, colourful, patterned florals you demand a visual break. I think if anyone were to describe my décor and style of dress they might say, restful or subdued – I don’t stand out in a crowd. Pale neutrals and deep blue are favourites for clothes, and in my current cottage F&B White Tie, with only one room, my study, in colour and that is my own mixed-up version of a soft ochre, yellow. and white. So, when I saw my paintings on Instagram I was stunned, I had no idea they were so colourful.

A lot of my Norfolk friends don’t know that in London, and quite by accident, I became an illustrator. I had an agent and I would receive a brief  from the magazine or newspaper, work was sent by motorbike courier and off it went. In 1990 I moved to Norwich and with that move I thoughtlessly ended my illustration career. Hard to believe but we barely had email let alone images online or sent down the line. In Norwich, I did the first ever ‘open studio’ with my artist friend and neighbour Judith Vondrak, who lived at the opposite end of the terrace, later as ‘Opposite Ends and Friends’  we included artist friends and my cousin the late Antony Pearce FRSA, an accomplished and well-known watercolour artist. In 1995 I had begun writing and that took over.
​
Quite suddenly I got the urge to paint once more and I am loving the process - handling the art implements, drawing and mixing paint, also being able to listen to music and podcasts while I work. I am grateful to have found, my skills with paint, though rusty, remain. And what a relief to untether from a computer screen.  A colourful still life was recently selected for the Sir John Hurt Prize and exhibited at the Holt exhibition, and now I have gallery interest. Most of all, I love the fact that I have surprised myself. 

Dear friends, writers and students,

Friday the 5th is turned into a good news day for me and many others, and I am able to add to this by highlighting events at the Holt Festival, Norfolk, where I am delighted have a painting accepted for the Sir John Hurt Prize exhibition.

As part of the Holt Festival, I have been invited to run a creative writing workshop on Wednesday the 24th July 10am – 4pm cost £65  linked to the exhibition German Expressionists & the Third Reich.

The workshop begins with a guided talk by James Glennie curator, and includes paintings, drawings, prints and sculptures, by artists declared ‘degenerate’ by Hitler. There will be some extraordinary images and dramatic stories to inspire your short fiction or poetry.  It is suitable for beginners and more experienced writers and poets. There is also an Expressionist exhibition on at the Tate well worth seeing,  you can get closer to the exhibits and insights into their lives at this workshop. My workshops are small, firm friendships are formed, and we will cover aspects of writing, openings, structure, plot, and routes to publication.
Workshop places are limited to 10 participants and spaces go quickly, so please book by going to:

www.holtfestival.org      Box Office Enquiries: [email protected]
The box office is open Monday to Saturday 11am-2pm
Please feel free to pass on this email to interested friends and groups.

For more information on go to www.patriciamullin.com or email [email protected]
​
The link below gives more information of the Expressionist movement and details of a lecture by Amanda Geitner.  Hitler’s Purge, Fleeing Artists and Something of their Legacy.  £15. 19th July 3pm St Andrews Church Meeting room and Gardens.
https://www.eastangliaartfund.org.uk/events/german-expressionists-hitlers-purge-fleeing-artists-something-of-their-legacy
 
In other news:
The Artist’s Studio is available for holiday bookings through Norfolk Coastal Retreats and currently there is a tempting discount.
                                                                                          www.norfolkcoastalretreats.co.uk         
                                                                                          Email:[email protected]       
                                                                                          @norfolk_coastal_retreats   
See The Artist’s Studio:                                                 @theartistsstudio
See art images:                                                               @patriciamullinartist1560
Writing/workshops/mentoring                                       www.patriciamullin.com
Email:                                                                               [email protected]

Dear friends, writers, and students,
 
Welcome to Spring! Yes, I know it hardly feels like it, yesterday we had hail!  That said, the garden is waking up and birds also. I have lots to share this month, so dive in.
 
I am also delighted to share my recent competition/publishing successes. I have now been published in seven extant books, and a number of writing ezines and periodicals.  I began writing short stories in between and during novels, sometimes as a distraction from the long haul of a novel. They are as addictive to write as they are to read. This form of writing was in the doldrums in this country for a long, but in recent years it has undergone and revival, now it is the much-loved and highly respected form. Flash/micro fiction being a remarkable way of storytelling in with a restrictive word count, often as little as 100 or 300 words.
 
‘Pale Angel’  FATE the award winning international short stories published by Hammond House. www.hammondhouse.org.uk
‘Mire’ selected for the London Independent Story Prize 5th Anniversary anthology. www.londonindependentstoryprize.co.uk
Longlisted in the Fish Prize, Judge Sarah Hall. This short story is now entered elsewhere and must remain anonymous. https://www.fishpublishing.com/

Please go to the BOOK and LISP interview page of this website for images of my books and my interview with LISP and details of prizes and awards.
 
Writing workshops

Firstly, my workshop at The Holt Festival this year is on Wednesday 24th July 10-4pm. The German Expressionism exhibition will be the inspiration for our writing workshop,  there are extraordinary stories embedded in this period and its art. The workshop begins with a tour and talk on the exhibition by its Curator, James Glennie. With its boldly colourful yet inward looking approach, the art and artist offer rich seams to explore through creative short fiction. In this workshop we will also discuss your writing ambitions and the opportunities short stories offer the writer.

Short fiction — Including structure and form, dialogue and voice and using visual and text prompts this workshop will playfully help writers to craft stories of varying lengths. We will also examine how to build a portfolio of work and discuss short stories as a route to publication, with recommend competitions for you to enter. 
10-4pm Cost £60.00
To held in Wells Library 

Memoir ­— Examining the differences between memoir, biography and autobiography, and using example texts from contemporary memoirs, you will learn how distinctive, dramatic, tender and moving memoir can be. Using a three–act structure you can produce a unique journey of your life experience from your own area of expertise…yourself. 
10-4pm Cost £60.00
To be held in Wells Library
​
Please email me your expressions of interest or queries and I will inform you when I have solid dates.
 
Email: [email protected]
https://www.instagram.com/patriciamullin.com
https://www.instagram.com/patriciamullinartist1560.com
https://www.instagram.com/theartistsstudio/  (For bookings and writing/art retreat weekends please email me.)
Website: www.patriciamullin.com
​

Obviously the story itself has to catch the eye first of the readers who filter the submissions and then the competition judge. That said, it also takes determination, skill and above all reading a great many contemporary short story collections to understand the craft, the skill and then master brevity. Fewer words don't make writing any easier, rather the reverse. There is nowhere to hide, very little description, every word has to count and the title is often employed to do some heavy lifting.
The more short stories you write the better your writing will become and the more entries you send the more the odds improve; it is a numbers game. I keep a spreadsheet going back almost a decade of every entry I make, it contains: the title, the  competition, the judge, the word count, the final entry date, the shortlisting and judgement dates and, importantly, the cost. The years in which I enter the most competitions have been the years in which I have been shortlisted or placed most often. In 2023 I entered 26 writing competitions and I have had successes. One bursary, one finalist, two shortlists, one published interview (and the inclusion of my stories in two anthologies.)  As competitions become more expensive so it becomes costly, but it is an important way to get your voice out there, to get your name known and importantly to increase your confidence and self-belief, writing short and flash fiction is also good for your professional development, ditto writing courses and workshops . Writing in particular, requires resilience, you have to be tough to keep going and you have to learn to accept rejection as part of the process of recognition; if you have professional writing ambitions you will be rejected more often than accepted, so you will need to develop a skin thick enough to match that of a rhino. 

Art

In other news I am returning to my artistic endeavours. In London in the 1980's I became an accidental illustrator working for a number of national publications and well known companies. I have decided to return to art part-time. Take a look at my back catalogue on instagram @patriciamullinartist1560

If you would like to book a visit to The Artist's Studio (or discuss a tailored writing retreat) do contact me on [email protected]
instagram:      @theartistsstudio


​

Another delightful surprise my short story 'Pale Angel' set in post war Italy has been shortlisted in the Hammond House short story competition and will be included in the forthcoming anthology. 

I am delighted that my short story 'Hush' has been longlisted for the Save As Writers short story competition. Interestingly I recently reviewed this short story adding further paragraph explaining more about my characters dilemma.